Identité italienne a Parigi, Centre Pompidou, 1981: le ragioni di un catalogo-mostra

Abstract

The catalogue of the exhibition Identité italienne (edited by Germano Celant) is one of the milestone in the studies on Italian Art History of the 60s and 70s. This article tries to delve into the reasons of this catalogue and to critizice the supposed neutrality of its approach to history as an impartial chronology.