Italo Calvino’s Algorithms in Representing the DNA of Urban Complexity

Authors

DOI:

https://doi.org/10.15168/xy.v11i17.3959

Keywords:

urban analysis, urban wellness, visual proxy

Abstract

The reference to natural models has historically guided creative processes as the result of reinterpreting structures and principles observed in reality. Over time, imitation has evolved from formal reproduction, to the application of mechanical principles, and ultimately to the assimilation of the complexity of biological processes in the design of responsive systems. With the advancement of scientific knowledge, attention has shifted from the aesthetics of form (eurhythmy), to the relationships between parts (concinnitas), to processes of adaptation and transformation (evolution), and finally to the interaction among factors within complex systems (interaction). Within this trajectory lies the concept of exaptation, understood as the reuse and reconfiguration of pre-existing elements in new functional contexts. The city itself can be interpreted as a complex evolutionary system, in which relationships, conflicts, events, and transformations accumulate over time, contributing to the definition of the genius loci as the result of the recombination of heterogeneous elements. In the combinatorial structure of Invisible Cities, Italo Calvino constructs a narrative device in which the city emerges as the outcome of permutations of material and immaterial components, representing urban complexity through an open system of relationships and meanings. In this context, generative AI tools make it possible to translate textual descriptions into visual representations, making explicit the constitutive elements of Calvino’s cities and enabling their recombination according to formal and semantic logics. Building on these premises, the research proposes an operational model of exaptation, in which generated visual configurations are analyzed through automated recognition techniques in order to identify recurring urban elements, both physical and immaterial. These elements are then related to institutional indicator systems for the evaluation of urban well-being, thus establishing a bridge between unstructured data and consolidated quantitative metrics. The objective is to develop a hybrid system capable of translating visual signals into proxies interpretable as indicators of urban quality, contributing to the definition of innovative tools for the analysis and representation of the complexity of contemporary cities.

Author Biographies

  • Sara Conte, Polytechnic University of Milan

    Sara Conte, Ph.D. in Design, is researcher at Department of Design in Politecnico di Milano. She graduated in Interior Design and Architecture from the Politecnico di Milano and works in the museum field dealing with curating, graphics, exhibit design and the valorization of tangible and intangible cultural heritage through graphic reworkings and advanced digital representation. She carries out studies and research on the valorization and protection of archives of modern architecture and beyond through ICT. She conducts teaching and research in the areas of representation, drawing, BIM applied to design and architecture, and communication and visualization in the fashion industry.

  • Cecilia Santacroce, Polytechnic University of Milan

    PhD in Architecture, Building environment and Construction engineering, disciplinary sector CEAR-10/A Drawing. Her PhD thesis titled Drawing and project idea. Reflections on the digital transition of the ideational process in architecturefocuses on the use of the digital representation tools applied at the ideational phase of the design process and referring them both to the ways of manipulating the consolidated forms of History and to different design intentions, on the basis of the design tradition of the Scuola di Milano. She has been a teaching assistant at the AUIC School of the Politecnico di Milano since 2018 at the drawing courses such as Fondamenti della Rappresentazione, and Tecniche della Rappresentazione, where the main topic is the use of different declinations of representation applied as tools for the project.

  • Giorgio Buratti, Polytechnic University of Milan

    PhD in Design at Politecnico di Milano (Italy), where he graduated in 2000 with full marks. The same year, he obtained his master's degree in ergonomics and is a teaching assistant in several courses. Since 2015, he has been an adjunct professor at Politecnico di Milano, where he was confirmed as a Researcher in 2022. He focused his investigation on understanding generative algorithms and parametric modelling systems to generate articulated surfaces and high-level complexity geometry. He is interested in the relationship between nature and design, in the design development of biological patterns and formal structures, and digital fabrication technologies. He collaborates with several significant companies in developing environments, products and machinery with a focus on system ergonomics.

Published

2026-10-22

How to Cite

Rossi, M., Conte, S., Santacroce, C., & Buratti, G. (2026). Italo Calvino’s Algorithms in Representing the DNA of Urban Complexity. XY. Critical Review of Studies on the Representation of Architecture and Use of the Image in Science and Art, 11(17), 60-77. https://doi.org/10.15168/xy.v11i17.3959

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