«A voice answering a voice»
Il dialogo della poesia in Virginia Woolf
Palabras clave:
Virginia Woolf, Lirica, Dialogismo, Orlando, ModernismoResumen
“Was not writing poetry a secret transaction, a voice answering a voice?” (Orlando). This apparently rhetorical question is, on the contrary, a challenge to explore the dialogic nature of poetry, and concerns a variety of discourses on “the poetical” that have characterized the literary and philosophical scene of the 20thCentury. This essay focusses on Martin Heidegger’s observations on language and on some of Gilles Deleuze’s views on literature, and aims to show that they are instrumental to a novel understanding of Woolf’s works and vice versa. A philosophical approach to Virginia Woolf’s universally acknowledged masterpieces, such as To the Lighthouse, The Waves, Orlando, Mrs Dalloway, allows an assessment of the conceptual depth of her writing, while it sheds light on the poetic quality of her novels, as well. Moreover, it makes clear why Virginia Woolf belongs to the “poets” that have influenced some of the major philosophers of the age. This interpretative exchange between contemporary literature and philosophy confirms - and this is the main thesis of this essay - that thought and poetry intrinsically convoke each other, and that they belong to each other.
Citas
Deleuze, Gilles e Félix Guattari, Kafka. Pour une littérature mineure, Paris, Minuit, 1975.
Deleuze, Gilles, Un manifesto di meno, in Carmelo Bene e Gilles Deleuze, Sovrapposizioni, Milano, Feltrinelli, 1978.
Empson, William, Seven Types of Ambiguity, Harmondsworth, Penguin, 1961.
Freud, Sigmund, Das Unbehagen in der Kultur, Wien, Internationaler Psychoanalytischer Verlag 1930 (Il disagio della civiltà, trad. it. di Enrico Ganni, a cura di Stefano Mistura, Torino, Einaudi, 2010).
Heidegger, Martin, Erläuterungen zu Hölderlins Dichtung, Frankfurt am M., Klostermann, 1963.
Id., Zur Sache des Denkens, Tübingen, Niemeyer, 1969.
Id., Unterwegs zur Sprache, Pfullingen, Verlag Günther Neske, 1959, trad. it. Id., In cammino verso il linguaggio, a cura di Alberto Caracciolo, Milano, Mursia, 1973.
Lecercle, Jean-Jacques, Badiou and Deleuze Read Literature, Edinburgh, Edinburgh University Press, 2010.
Id., De l’interpellation. Sujet, langue, ideologie, Parigi, Éditions Amsterdam, 2019.
Locatelli, Angela, Dire l’identità: il soggetto woolfiano tra psicoanalisi e fiction, in «Merope», IV (1992), pp. 67-91.
Ead., “For nothing was simply one thing”: Observations on the Knowledge of Literature, in La conoscenza della letteratura/ The Knowledge of Literature, Vol 3, a cura di Ead., Bergamo, Bergamo University Press, 2004, pp.141-152.
Ead., Well said, well seen: Aspects of the Visual in Literature, in Ead. (a cura di), La conoscenza della letteratura/ The Knowledge of Literature, Vol 10, Bergamo, Bergamo University Press, Sestante Edizioni, 2011, pp. 131-146.
Ead., Plurivocal Narration as an Empathic Response of Resistance to Colonial Prejudice. Writing Alterity in The Voyage Out, in «Le Simplegadi», XVII (2019), pp. 53-64.
Rieff, Philip, Freud: General Psychological Theory, New York, Macmillan Publishing Company, 1963.
Rilke, Rainer Maria, Elegie Duinesi, tradotto da Enrico De Portu e Igea De Portu, Torino, Einaudi, 1978.
Id., Die Sonette an Orpheus/ I sonetti a Orfeo, in Id., Poesie, vol. II: 1908-1926, a cura di Giuliano Baioni, trad. it. di Giacomo Cacciapaglia, Torino, Einaudi-Gallimard, 1995.
Woolf, Virginia, A Writer’s Diary. Being Extracts from the Diary of Virginia Woolf, edited by Leonard Woolf, London, Hogarth Press, 1953.
Ead., Orlando, Harmondsworth, Penguin Books, 1967.
Woolf, Virginia, To the Lighthouse, Harmondsworth, Penguin Books, 1969.
Ead., Modern Fiction, in The Essays of Virginia Woolf, Vol. 4: 1925-1928, a cura di Andrew McNeille, London, The Hogarth Press, 1984.
Ead., The Voyage Out, London, Grafton Books, 1989.
Ead., The Waves, Oxford, Oxford University Press, 1992.
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Derechos de autor 2022 Angela Locatelli
Esta obra está bajo una licencia internacional Creative Commons Atribución-NoComercial-SinDerivadas 4.0.
