Brevitas Americana
Stephen Crane, traduzione poetica e visibilità modernista
Mots-clés :
Stephen Crane, The Black Riders e modernismo, Lingua visiva e semantica, Traduzione intersemiotica, Traduzione endolinguistica e letterariaRésumé
In questi primi decenni del Duemila, The Black Riders and Other Lines (1895) di Stephen Crane è stato rivalutato non solo come «uno dei quattro libri» che «hanno dato forma alla poesia americana» dell’Ottocento, ma anche come «il primo libro americano stampato con un evidente design modernista» (McGann). Parimenti, il suo autore è stato eletto al ruolo di «primo modernista americano» (Auster). Sulla scia di tali audaci affermazioni, questo saggio esplora alcune liriche di Crane in relazione a diversi aspetti della traduzione. Caratterizzate da brevitas e proiezioni immaginative ad alta compressione linguistica e densità espressiva, le poesie del giovane americano si collocano all’interno di un terreno condiviso di visualizzazione, a cavallo di diversi sistemi di segni. I suoi versi generano potenti interazioni tra arte verbale e non verbale; sollecitano trasmutazioni endolinguistiche e intrasemiotiche; mettono in rilievo complessità intertestuali e semantiche a un crocevia in cui traduzione intersemiotica e traduzione interlinguistica convergono e si affiancano a sfidare ancor più il compito del traduttore letterario.
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